Mirror is error 是是非非
Logic/Weight, 2020
Photography
40x40cm
逻辑/重量, 2020
装置摄影
40x40cm
I use photography as a medium to explore some logics in art by photographing daily objects. While using the foreground of photography, I deconstruct the it and create an ambiguous zone by creating an illusion that deviates from visual reality.
逻辑是一个小型的摄影实验项目。我以摄影为媒介，通过拍摄日常物品来探讨艺术创作中几种常见的逻辑：矛盾、虚实、连结、循环以及转化。我在利用摄影诸多前置性的同时，通过打造与现实存在偏差的错觉，来解构其前置性并建立模糊地带。
Logic/Mirror, 2020
Photography
40x40cm
逻辑/虚实, 2020
装置摄影
40x40cm
The mirror is an excellent reference for comparing the similarities and differences between one and the other, pointing to the relative place in the physical and cognitive space, and expressing the ambiguity between to be and not to be. The camera not only records what exists, but also implies what does not exist.
镜面是个极佳的参照系，用以比较此与彼的异同、指向现实空间与认知空间中相对的地方，表现有和没有之间的模糊性。当摄影机消失于镜面，观者与拍摄者同时成为悬而未决的存在；当被拍摄物消失于镜面，拍摄者和被拍摄物同时成为悬而未决的存在。相机既纪录存在物，也暗示不存在物。
Logic/Link, 2020
Photography
40x40cm
逻辑/联系, 2020
装置摄影
40x40cm
* Link2&3 is collaborated with Teresa Zeng (www.jiax2.com)
Relationships between objects can be both stable and unstable. Things are going to melt into each other. In the eyes of the lens, unstable relationships will be frozen into stable moments and show its tendency to be unstable. Union suggests separation.
物体之间的关系是稳定的也是不稳定的。物体总是要向彼此运动。在镜头眼中，一切不稳定都将以稳定的样子被定格，并展现其不稳定的趋势。从一个角度看是结合，从另一个角度看却是分离。
Logic/Circle, 2020
Photography
40x40cm
逻辑/循环, 2020
装置摄影
40x40cm
* Circle3 is collaborated with Teresa Zeng (www.jiax2.com)
Photography naturally disassembles the cycle. It is not easy to reconstruct the cycle in photography, because it naturally contradicts itself.The cycle in photography is based on illusion, and the correctness of illusion is based on the precondition of photography: reality.
摄影天然地拆解了循环。要在摄影中重建循环却非易事，因为它会天然地反驳自身。于是我们看到了一堆幻觉，摄影中的循环建立于幻觉，幻觉的正确建立于摄影的前置条件：现实。